Fashion in literature

"Now she fitted the white lace into Mary's collar and pinned it so that it fell gracefully over the collar's edge and made a full cascade between the collar's ends in front.

They all stood back to admire. The gored skirt of brown cashmere was smooth and rather tight in front, but gathered full around the sides and back, so that it would be ample for hoops. In front it touched the floor evenly, in back it swept into a graceful short train that swished when Mary turned. All around the bottom was a pleated flounce.

The overskirt was of the brown-and-blue plaid. It was shirred in front, it was draped up at the sides to show more of the skirt beneath, and at the back it fell in rich, full puffs, caught up above the flounced train.

Above all this, Mary's waist rose slim in the tight, smooth bodice. The neat little buttons ran up to the soft white lace cascading under Mary's chin. The brown cashmere was smooth as paint over her sloping shoulders and down to her elbows; then the sleeves widened. A shirring of the plaid curved around them, and the wide wrists fell open, showing a lining of white lace ruffles that set off Mary's slender hands."

--Little Town on the Prairie, by Laura Ingalls Wilder, first published 1941